Mackie 1402-VLZ3 Mixer
While keeping all the features and functionality of its predecessor, the new Mackie 1402-VLZ3 offers even greater headroom. We could have stopped right then and there, but we’re obsessed with perfection. So Mackie has redesigned the Mix Bus, tweaked the EQs, and created a mixer with a highly intuitive, musical feel.
Just slightly larger than the 1202-VLZ3, the Mackie 1402-VLZ3 offers everything its little brother has—plus two additional mic/line channels, faders instead of knobs, and a few extra Master Section features. Ideal for home and project studios, the 1402-VLZ3 is equally at home on the road, on the stage, or in the recording studio.
Mackie 1402-VLZ3 Mixer
- Improved XDR2 Microphone Preamplifiers:
Featuring six improved XDR2 microphone preamps provide an impressive 130dB of Dynamic range. The microphone preamps deliver a wider frequency range than the older XDR mic preamps.
- Improved Mix Bus:
All VLZ3 series mixers have more headroom and less distortion thanks to an improved mix bus. Negative Summing results in a quiet output signal with improved gain.
- Durable 60mm Fader Control:
60mm tapered faders control Channel, "Control Room" and "Main Mix" level.
- Rugged Construction:
All steel construction virtually eliminates noise caused by bad grounding. Because the chassis is steel, connections are automatically grounded on contact.
- Flexible Routing Options:
The 1402-VLZ3 provides Inserts on all mono channels (1-6). "ALT 3-4" provides a second stereo bus. Use the ALT 3-4 and Stereo main Outputs as a 4-bus configuration.
- Switchable Soloing:
There is switchable "Post Fader" and "Pre Fader" SOLO provided on every channel. The AFL/PFL SOLO switch is located in the master section.
- Compact Design:
The compact enclosure allows users to rack mount the mixer using the
- Total # Of Inputs:
14 - Balanced 1/4" TRS Phone Inputs
- Mic/Line Inputs:
6 - Balanced XLR Mic Inputs
- Stereo Line Inputs:
4 - Stereo Paired Balanced 1/4" TRS Phone (Channels 7-14)
- In-Line Inputs/Returns: No
- AUX Sends:
2 - 1/4" TRS Phone with extra 15dB of gain above Unity
- AUX Returns:
2 Stereo (4 mono) - 1/4" TRS Phone
4 - 1/4" TRS Phone Pre-Fader/Pre EQ
- BUS (Group) Outputs:
4 - Group Outputs via ALT 3-4 output and Master Main Outputs
- 2 Trk Master I/O:
Main Output L/R - Balanced 1/4" TRS Phone, L/R - Balanced XLR male switchable bettween mic and +4dB line level
- ALT I/O:
Tape Input/Output L/R RCA-pin
- Monitor Outputs:
Control Room L/R Balanced 1/4" TRS Phone Phones Single 1/4" TRS Phone
- EQ Section:
HI Shelving +/- 15dB @12kHz
MID Peaking +/- 12dB @2.5kHz
LOW Shelving +/- 15dB @80Hz Solo/Mute MUTE/ALT 3-4 switches on channels 1-12
- SOLO (pre/post fader switchable) on channels 1-12
- Channel Level Control:
60mm long-wearing log-taper faders
- Trim/Gain Control: Unity to +60dB
- Phantom Power: +48V
12 - segment peak LED's with "RUDE SOLO" light
- Frequency Response:
20Hz to 60kHz: +0 dB/-1 dB
20Hz to 100kHz: +0 dB/-3 dB
- Dynamic Range: 130dB Dynamic Range
- Signal-to-Noise Ratio:
-100dBu; Main Mix knob down, channel Gain knobs down
- Total Harmonic Distortion (THD):
(1kHz @ 35dB gain, 20Hz-20 kHz bandwidth)
Mic pre @ insert: 0.0007%
- Power Supply:
120VAC, 50/60Hz, 25 watts
12.9 x 14 x 3.2" (329 x 356 x 81mm)
(H x W x D)
- Weight: 9.5 lbs (4.5 kg)